Vancouver Art Gallery, Canada
12 May – 3 September 2012
The curator of VAG invited Carali McCall and myself to perform a site-specific collaborative wall drawing, Line Dialogue 5 (left), on 25 May for the opening of the summer exhibition, Again and Again and Again: serial formats and repetitive actions. With cameras strapped to our bodies, we repeatedly marked the wall with charcoal and graphite as we moved back and forth along its 40-foot length throughout the two-hour performance.
REVIEW “AGAIN AND AGAIN AND AGAIN: A SERIOUSLY SERIAL EXHIBITION AT THE VAG On at the Vancouver Art Gallery from now until September 3rd is Again and Again and Again, an exhibition about seriality in art. The exhibition touches upon a plethora of latent themes within the seemingly simple parameters of repetition, from the ‘mechanistic repetition inherent in much domestic work and industrial labour, to the multiple versions afforded by technological developments, to the limits of endurance that have been tested by performance artists’. Sol LeWitt, Agnes Martin, Frank Stella, Ed Ruscha’s iconic Los Angeles parking lots: the heavy-hitters are all there. The exhibition isn’t all history, however; it abounds with striking contemporary works as well, from Song Dong’s Fill the Sea, a symbolic comment on the British occupation of Hong Kong, to mesmerizing photographs of Giverny by Stephen Shore, to a sprawling collaborative drawing by Carali McCall and Jane Grisewood.”