The Blackest Black 2014

Performance drawing Line Dialogue (above left) and a selection of my paintings, drawings and photographs (above right) have featured in Jeremy Brock’s play, ‘The Blackest Black’, Hampstead Downstairs theatre 9 January – 8 February 2014

Artist friend and performance drawing collaborator, Carali McCall writes:
.. …Demonstrating the crossover from one artistic medium to another, writer Jeremy Brock took inspiration from artist Jane Grisewood, and as part of the second act of the play, a short version of Line Dialogue was performed by the actors as a  3-minute detail of our longer durational 1 to 2 hour drawing performances. … …
The following  extract from the interview with writer Jeremy Brock, discussing his new play,  with Hampstead’s features editor, Susie Benson, reveals the trigger for The Blackest Black: … … … Brock has always been interested in science ‘with an amateur’s obtuseness and enthusiasm’, especially the way scientists seem to ‘engage their imaginations and the whole of themselves’. But the trigger for The Blackest Black was meeting an artist, Jane Grisewood, at a party and hearing that she was just about to start a secondment at a US government observatory in Tucson: ‘All those feelings I’ve had about art and science suddenly came together and I realised I just needed to go.’ Laughingly he adds that it might sound ‘rather stalkerish’ but Grisewood was happy for him to research while she was completing her project, and watching the way she approached her work was very instructive…. … …
Read full interview: The Blackest Black 

see earlier post: The Blackest Black 8 February 2013
Hampstead Theatre
Director: Michael Longhurst   Designer: Oliver Townsend
Cast: Ian Bonar, John Light, Charity Wakefield
Photographs by Robert Day and Becky Paris, Hampstead Theatre

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