Double Vision

Double Vision (on-going project)
Through the Brownie 127 project devised by Cally Trench, the Double Vision series emerged. The 127 introduced in 1952, provided a perfect opportunity to work with the qualities of the analogue camera and darkroom processes, with a focus on light and dark, positive and negative, doubles and multiplies, while responding to content and composition.
Gelatin silver prints (positive and negative); 127 Rera Pan 100 ISO B/W film; 24 x 30cm (30 x 40cm with mount); Edition of 10 (each).

 

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