Aether #2 Berlin

Aether #2 Berlin @ Jarvis Dooney Galerie, Berlin
20 February – 2 April 2016


Aether, co-curated by Melanie King, Louise Beer and gallery owner Michael Dooney, brought together 14 international artists who share a fascination with the universe and beyond.  Using various methods of photography they explore relationships between astronomy, matter, time and space.
Exhibitors: Louise Beer, Lauren Franklin, Michaela French, Jane Grisewood, Katie Goodwin, Osheen Harruthoonyan, Jaden Hastings, Barry W. Hughes, Melanie King, Clare Krouzecky, Casey Moore, Sophy Rickett, Kate Robertson, Maija Tammi.
My Black Light: Eclipse print sequence traces the moon crossing the sun during an annular solar eclipse, taken on 20 May 2012, 17:31pm to 8:38pm, at the McMath-Pierce solar telescope on Kitt Peak while artist-in-residence at NOAO, Arizona, USA.
Nine Giclee prints (30 x 24cm), edition of ten.

Aether #1

image001 Aether @ UAL Showroom gallery, London
15 April – 5 July 2015
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Exhibiting Black Light: Eclipse with co-curators Melanie King and Louise Beer, along with Robert Bell, Jon Clair, Jared Davis, Sarah Fontais, Lauren Franklin, Jaden Hastings, David Moore, Lara Morrell and Sophy Rickett. The print sequence  traces the moon crossing the sun during an annular solar eclipse on 20 May 2012, 17:31pm to 8:38pm, at the McMath-Pierce solar telescope on Kitt Peak while artist-in-residence at NOAO, Arizona, Nine Giclee prints (30 x 24cm), edition of 10.

After Archimedes

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After Archimedes, Re Object
exhibition @ The Tetley Art
Centre, Leeds 5 – 22 March 2015
The simplicity of a wooden wedge sent to me by curator Sophie Loss inspired this 3-D graphite drawing, along with a similar wedge I’d just seen at John Latham’s Flat Time House. It triggered thoughts back to Archimedes’ wedges and forward to the 20th-century geometric abstraction of Lygia Clark’s sculptural Cocoons, both underpinning  the 3-D drawing (30x30 x5cm, Perspex box frame 33x33x6cm)

Art in a Bookshell

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Art in a Bookshell @ Milton Gallery 26 February – 17 March 2015
A survey of artists working with and inspired by books. My work in the exhibition included Black on Black, Black Light book and prints, Line Journeys (Mourning Lines; Drift Lines; Ghost Lines) in slipcase and September: 30hours30days (right), large graphite drawing 152 x 106cm on 400gsm paper.

Blind Lines

Perform-ance Confer-ence @ Dove Street Studios, Norwich
28 November 2014
Blind Lines, two-hour performance drawing, with eyes closed throughout, using the wall as a canvas. The audience was invited to replicate the action and sensation of drawing ‘blind’ on the gallery wall. The event explored the relationship between artist and audience, and questioned the response to live action. Presented by Hannah Turner Wallis.
Supported by Norwich Arts Centre and Other/Other/Other.

365 drawings 365 dessins

Transitions in 365 drawings 365 dessins @ Openhand Openspace, Reading
24 – 27 September 2014, and forthcoming, Switzerland  6 – 17 May 2015
For this exhibition Cally Trench and Tineke Bruijnzeels made a drawing every day for a year, accompanied every week by a different guest artist. My seven sequential drawings reflect the shifting landscape observed while travelling between Hong Kong and New Zealand provided a further transition as the week went from 2013 into 2014. Through transitions of time, seasons and hemispheres the constant has been the mountainous terrain where the Hong Kong peaks morphed into the New Zealand Kaimai ranges.
White ink on 200gsm black paper; 14.8 x 76.5cm (14.8 x 10.5cm each)

Mourning Lines

Mourning Lines in ‘Book Act’ @ The Tetley, Leeds,  March 2014
Live performance  9 March 2014 accompanied by video (2006/2014)
and artist book (2010)

  • 3 book set in slipcase acquired by the Tate Library Collection

Since the first ‘ash walk’ in 2005, and subsequent video a year later, I have performed Mourning Lines many times in many different ways, from drawing lines on paper,  to simply walking between familiar and poignant places. For this event Mourning Lines comprised of three different media:
Performance: 30-minute performance drawing with invitation to the audience to participate; charcoal on paper, overall 500 x 75 cm
Video: Recording of live performance trailing ash on 500-metre walk between home and the village burial ground. DVD; silent; 9’42”; filmed and edited by Ron Suffield
Book:  Accompanying book with sequence of 7 graphite drawings made during walks.