EMPIRE II – The Age of Anxiety

EMPIRE II – The Age of Anxiety @ Castello for the 57th La Biennale di Venezia
Exhibition runs : 13 May – 26 November 2017

empire2 0GrisewoodMcCall_tensioneLR

Empire II, an artist-led satellite project, was devised and curated by Vanya Balogh for the 57th La Biennale di Venezia. London-based artists Jane Grisewood (NZ) and Carali McCall (Canada) are screening their short film, tensione: how is that going to work? 2017 at Castello for the Biennale.  Filmed in the cold urban landscape, connected by 40 metres of elastic band, Grisewood and McCall repetitively twist and wrap the material onto structures forming horizontal lines, creating stress while testing endurance and reciprocity. (Camera: Sam Pinkstone)

Empire II IMG_2699.450 empire 2 Press Release ed

empire 2 - venice - exhibition invite - xl copy

The immersive film hub in Castello has ‘a three-chamber space: a library, single-screen darkroom, and a virtual reality port. Art, architecture, and cinema merged, thus creating an empire over the ruins and analog plastic media. Through the works of 115 international artists, Empire II reflects on the hybridization of modern media and of modern content, their coexistence in the Age of Anxiety and post-truth. It is our future present and our present future.’ (Quoted from the British Art(list) Line 2017 during the Venice Biennale.) Accompanying the films are a number of varied events and an imaginative designed and produced by Victor Hotz Studio in Switzerland.
The first viewing as a multiscreen installation was on 18 April in Brussels during Art Week in the 18th Century warehouse situated in the Old Fish Market. The second viewing was on 25 April at The Corridor Gallery, London. Further venues have been discussed.

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Drawn Conversations 2

Notes on a Table series,  performance drawing, Drawn Together: Maryclare Foá, Jane Grisewood, Birgitta Hosea, Carali McCall,  June – August 2016

Notes on a Table (Peckham) 5 June 2016
Notes on a Table (Kleine Red) 2 July 2016
Notes on a Table (Folkestone Green) and  (Folkestone Blue) 25 August 2016, performance drawing @ Whelkboy Gallery, Creative Quarter, Folkestone
Notes on a Table (Markings) 8–9 July 2016,  ‘Markings: Illustration and Performance Festival’ @ Central Saint Martins, Granary Square Kings Cross London. Drawn Together performed in the Lethaby Gallery (drawing 240 x 128 cm). Along with live performances the festival included a symposium, film screening, workshops and exhibitions with broad themes on theatre, fashion and drawing.

 

Double Vision

Double Vision (on-going project)
Through the Brownie 127 project devised by Cally Trench, the Double Vision series emerged. The 127 introduced in 1952, provided a perfect opportunity to work with the qualities of the analogue camera and darkroom processes, with a focus on light and dark, positive and negative, doubles and multiplies, while responding to content and composition.
Gelatin silver prints (positive and negative); 127 Rera Pan 100 ISO B/W film; 24 x 30cm (30 x 40cm with mount); Edition of 10 (each).

 

Draw to Perform

Draw to Perform – Drawing Performance Symposium
@  Arebyte Gallery and ]performance s p a c e[ London
5-7 December 2013  Curated by Ram Samocha
Participating artists: John Court, Tony Orrico, Michel Platnic, dolanbay, Michael Namkung, Vera Martins, Daniel Ben-Hur, Judith ann Braun, Stuart Brisley, Robert Luzar, Kimbal Quist Bumstead, Katrina Brown, Ram Samocha, Hannah Turner Wallis, Nazir Tanbouli, Sally Madge, Jane Grisewood, Carali McCall, Maryclare Foá, Birgitta Hosea, Diogo Pimentão.

Draw to Perform curator Ram Samocha invited 20 artists to participate in the event, 10 giving live performances, including Carali McCall and myself. With cameras strapped to our bodies, we repeatedly marked the wall with charcoal and graphite as we moved back and forth throughout the 30-minute duration of the line dialogue performance. The 3-day symposium included evening video screenings as well as live drawing performances and discussions led by Ram Samocha, Nick Kaye, Professor of Performance Studies, University of Exeter and selected artists. Samocha writes: ‘The symposium will concentrate on the connection between performance art and drawing and the relevance of drawing as a modern medium. The symposium includes video screenings, live drawing performances, talks and lectures by artists and art historians.This symposium aims to promote the growing stream of live drawing performance, to distinguish it as a unique entity and allow it to rise from the eclectic, wider definition of performance art.
The twenty participating artists all consider their body of work to be fundamentally concerned with drawing, in that for them drawing connects elements of line, movement, space and time.’

VIEW http://vimeo.com/80489035