EMPIRE II – The Age of Anxiety @ Castello for the 57th La Biennale di Venezia
Exhibition runs : 13 May – 26 November 2017
Empire II, an artist-led satellite project, was devised and curated by Vanya Balogh for the 57th La Biennale di Venezia. London-based artists Jane Grisewood (NZ) and Carali McCall (Canada) are screening their short film, tensione: how is that going to work? 2017 at Castello for the Biennale. Filmed in the cold urban landscape, connected by 40 metres of elastic band, Grisewood and McCall repetitively twist and wrap the material onto structures forming horizontal lines, creating stress while testing endurance and reciprocity. (Camera: Sam Pinkstone)
The immersive film hub in Castello has ‘a three-chamber space: a library, single-screen darkroom, and a virtual reality port. Art, architecture, and cinema merged, thus creating an empire over the ruins and analog plastic media. Through the works of 115 international artists, Empire II reflects on the hybridization of modern media and of modern content, their coexistence in the Age of Anxiety and post-truth. It is our future present and our present future.’ (Quoted from the British Art(list) Line 2017during the Venice Biennale.) Accompanying the films are a number of varied events and an imaginative designed and produced by Victor Hotz Studio in Switzerland.
The first viewing as a multiscreen installation was on 18 April in Brussels during Art Week in the 18th Century warehouse situated in the Old Fish Market. The second viewing was on 25 April at The Corridor Gallery, London. Further venues have been discussed.
Artist-in-Residence at Mauna Kea observatories, Hawaii, USA 1 – 28 November 2015
IMAGES TO FOLLOW
The one-month Mauna Kea residency (following Kitt Peak in Arizona and Cerro Tololo in Chile in 2012) was a phenomenal experience, especially working with three significant observatories: Gemini (I was based in the headquarters in Hilo), Keck and Subaru . I spent hours observing the constant movement in the massive sanctuary-like structures where engineers worked tirelessly on Mauna Kea. The summit was breathtakingly beautiful and exhilarating, a ‘sky island’, towering 40% into the atmosphere at 4205 metres (13,796ft), despite the zero temperatures and low oxygen. Everything changed at sunset as a magical golden glow morphed into a deep red before darkness came. The experience of spending time in the three observatories was dramatic in every way, making it difficult to find words to describe the intensity and awe of seeing and feeling of this cosmological wonder.
Mourning Lines in ‘Book Act’ @ The Tetley, Leeds, March 2014 Live performance 9 March 2014 accompanied by video (2006/2014)
and artist book (2010)
3 book set in slipcase acquired by the Tate Library Collection
Since the first ‘ash walk’ in 2005, and subsequent video a year later, I have performed Mourning Lines many times in many different ways, from drawing lines on paper, to simply walking between familiar and poignant places. For this event Mourning Lines comprised of three different media: Performance: 30-minute performance drawing with invitation to the audience to participate; charcoal on paper, overall 500 x 75 cm Video:Recording of live performance trailing ash on 500-metre walk between home and the village burial ground. DVD; silent; 9’42”; filmed and edited by Ron Suffield Book:Accompanying book with sequence of 7 graphite drawings made during walks.