Notes on a Table series, performance drawing,Drawn Together: Maryclare Foá, Jane Grisewood, Birgitta Hosea, Carali McCall, June – August 2016
Notes on a Table (Peckham) 5 June 2016 Notes on a Table (Kleine Red) 2 July 2016 Notes on a Table (Folkestone Green) and (Folkestone Blue) 25 August 2016, performance drawing @ Whelkboy Gallery, Creative Quarter, Folkestone Notes on a Table (Markings) 8–9 July 2016, ‘Markings: Illustration and Performance Festival’ @ Central Saint Martins, Granary Square Kings Cross London. Drawn Together performed in the Lethaby Gallery (drawing 240 x 128 cm). Along with live performances the festival included a symposium, film screening, workshops and exhibitions with broad themes on theatre, fashion and drawing.
Notes on a Table, Maryclare Foá, Jane Grisewood, Birgitta Hosea, Carali McCall), Drawn Conversations exhibition @ Coventry University 4 December 2015
Top right: Notes on a Table (Reunion) 2015 240 x 128 cm, graphite and coloured pencil on paperBottom: Notes on a Table (after John Cage) 2010 240 x 128 cm, graphite and black crayon on paper
‘Drawn Together’, formed in 2008, is a London-based group of four artists who collaborate on performance drawing projects and share theoretical and research interests. Working with graphite and light, sound and animation they perform drawing processes and address the relationship between the body and presence, time and space. Notes on a Table includes two large drawings (each two-hour duration) made while in conversation gathered around a rectangular kitchen table. The first drawing in 2010 was followed by a second one this year, on the same surface in the same space to prompt conversation on what drawing together again might mean, or change, five years on. This exhibition curated by Jill Journeaux and Helen Gorrill was part of the Drawing Conversations symposium reflecting on collective and collaborative drawing experiences.
Performance Research, Volume 17 No. 5 October 2012 Published by Routledge ISSN 1352-8165 (print) ISSN 1469-9990 (online) To view articleClick:OnDuration
LINE DIALOGUES: MARKING TIME AND PROCESS Jane Grisewood and Carali McCall The artists’ pages in Performance Research journal’s On Duration October issue present images from our performative-based art practice, which interrogates the relationship between drawing and performance to explore themes of duration, movement and the transmission of energy. The repetitive and continuous action of mark-making in the one to two-hour performances identifies the body as a tool to stretch time and record temporal presence, while challenging how the body experiences duration through drawing. Carali and I have collaborated on drawing performances in the UK and abroad for six years, most recently the two-hour Line Dialogue 5 at the opening of the ‘Again and Again and Again’ exhibition, Vancouver Art Gallery, Canada (view also Again and Again post).